Zaboravljeni crtaći
Rekli o sajtu
Kada pitate dva čoveka o nečemu, dobićete više od dva mišljenja. Na toj osnovi je stvoren Vukajlija. Rečnik slenga i idioma.
Kompjuterska Biblioteka · 7. Maj 2009.
Kada pitate dva čoveka o nečemu, dobićete više od dva mišljenja. Na toj osnovi je stvoren Vukajlija. Rečnik slenga i idioma.
Kompjuterska Biblioteka · 7. Maj 2009.
https://youtu.be/bLyyxgEZ_80
Trauma iz detinjstva
Da baš je tužan
https://youtu.be/u6pWoMQMt-w
ups ovo je već bilo
https://www.youtube.com/watch?v=97r9ICQ5i20&ab_channel=TEXHOCTPOJ
Da li postoji crtani junak koji vas je nervirao, i kog ste mrzeli, prezirali itd? U mom slučaju Miki Maus i Popaj, Popaja sam voleo da gledam dotle dok ga onaj rmpalija Badža mlati, ovog prvog i danas jednako hejtujem.
Moja baba je mrzila sitnu živinu u crtaćima (džeri, ona žuta ptičica).
Vazda je navijala da ih mačka izije.
https://cdn.discordapp.com/attachments/729859180101369889/1084513220888375337/image.png
zašto mrziš popaja kada su mu struk i vrat tanji nego tebi, melki?
Vrv zbog ovoga
https://i.redd.it/viqcsfcdrgp61.jpg
Ljubomoran sam zbog ribe mu, evo priznajem.
Mene su vazda nervirali Hana Barbera crtaci, osim Kremenka i Dzetsons. Mada me je i tu nerviralo sto kada recimo trce uvek ista pozadina prolazi. I to bukvalno isti jedan slajd sirine ekrana na loop. Jos kao klinac sam mislio da su animatori gomila likova sa bolom u kurcu da se malo potrude.
Najvise me je nervirao onaj pederski lav, panter ili koja je vec macketina. Snugglepuss ili kako se vec zvao.
Voleo sam onaj Mačor Mika ili kako beše u originalu, isto Hana Barbera
InspektorDraguljče i Atomski Mrav takođe Barbera mislim
U stvari nisu, sad ću izguglam
Skubi Du je Hana-Barbera produkcija
Jesu ipak
I naravno Vitez Koja izeš muda moja heh
Uhh, teška bumerska tema.. ostavljam vas da se praćakate u svojoj, po meni iz nekog razloga veoma tužnoj nostalgiji.
A da, podsetili ste me na ono "umočiću" šitpostovanje. To je jedini segment iz cele ove spike koji zlata i dukata valja, ako neko ima link te sprdnje sa foruma nek okači pls
https://vukajlija.com/umocicu
A ne to su defke bile izgleda, my bad
https://youtu.be/32TVhQKI9rY ❤️
džoni bravo. tek sada nakon što sam već dovoljno omatorio, naučio sam da cenim taj crtać. neke stvari kao mali nisam shvatao, ali sada mi je sve jasno.
https://www.youtube.com/watch?v=Jg34Nxb_Vjs
That specific line—"Sekaču, gde je moje telo?"—is essentially the "To be or not to be" of the 1987 Teenage Mutant Ninja Turtles (TMNT) for the Balkan generation.
It perfectly encapsulates the power dynamic of the entire show, especially in the legendary Serbian dub (RTB) which many consider superior in character to the original English version due to the theatrical voice acting.
Here is the breakdown of why that specific plea works so well on a narrative and psychological level:
1. The "Nagging Boss" Archetype
Krang is a warlord from Dimension X, a genius conqueror, yet he spends 90% of his time sounding like a nagging spouse or a dissatisfied middle manager.
The Dependency: He is a brain without a body. He is completely reliant on Shredder (Sekač) to build him his Android Body. The Leverage: Shredder needs Krang's technology (the Technodrome/Tehnodrom) to defeat the Turtles. Krang needs Shredder's hands to build his body. It is a toxic co-dependency.
2. The Visual Humiliation (The Bubble Walker)
Until he gets the body, Krang is forced to move around in that small, mechanical tripod (the "Bubble Walker").
The Contrast: He talks about conquering the world while waddling around on tiny metal legs. The line "Where is my body" is a demand for dignity. He cannot be taken seriously as a villain until he is physically imposing.
3. The "Payoff" (The Android Body)
When he finally gets the body, the dynamic shifts. The Capability: The Android Body wasn't just a suit; it could grow to Godzilla size (molecular amplification).
The Shift: Once Krang has the body, Shredder becomes less necessary. The "Where is my body" phase is the only time Shredder has leverage over Krang.
The Serbian Dub Factor ("Sekač" vs. "Shredder")
There is a specific cadence to the Serbian dub that makes this line memorable. Vocative Case: "Sekaču" (Hey, Sekač) sounds much more personal and demanding than just saying "Shredder."
* Voice Acting: The Serbian voice actors (legends like Nikola Simić, Vlastimir "Đuza" Stojiljković, Nada Blam, and Ljubiša Bačić) treated a cartoon script like Shakespearean theater. They gave Krang a specific, nasally, arrogant whine that made the demand for his body sound both pathetic and threatening at the same time.
In the lore of 80s cartoons, Krang waiting for his body is the ultimate subplot of delayed gratification.